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Able" /January 22 03 Save The Last Dance For Me "Short" /January 22 04 Don't Let Me Down / January 22 05 chat and improvisation /January 22 06 tuning for Dig Pony /January 22 07 Dig A Pony /January 22 08 I've Got A Feeling /January 22 09 I've Got A Feeling and Discussion /January 22 10 Get Back & intro /January 27 11 chat after Get Back /January 27 12 Get Back /January 27 13 chat about Get Back /January 28 14 Get Back & coda /January 28 15 improvisation your craps and dice /January 28 16 For You Blue /January 25 17 For You Blue /January 25 18 Teddy Boy and improvisation /January 24 19 Teddy Boy /January 24 20 Two Of Us /January 24 21 Maggie Mae Fancy Me Chances /January 24 22 chat and riffs from Two Of Us /January 24 23 chat Beatles order lunch /January 24 24 Polythene Pam /January 24 25 Two Of Us /January 24 26 Maggie Mae /January 24 27 Two Of Us with some bizarre moments /January 25 CD2 01 Dig It longest /January 26 02 Let It Be /January 31 03 The Long & Winding Road take18/January 31 BONUS TRACKS 04 One After 909 incomplete /January 28 05 Don't Let Me Down keep hands off My baby /January 29 06 Dig A Pony with breakdown /January 28 07 I've Got A Feeling I had a dream/January 21 08 Don't Let M Down /January 21 09 Get Back two takes /January 24 10 For You Blue a take
the biggest highlight is the sound quality of this other dimension
Chick was active with Miles' "Roast Quintet" from 1968 to 1970
and the vocals are clearly differentiated between Kim McAuliffe and Body Mead
Bon Jovi/Tokyo & Osaka,Japan 2018 TK's 3.24.1980 Able" /January 22 03 SaveTheir first performance in Japan in 5 years in 2018 was one in Tokyo and one in Osaka Dome, and all two performances were recorded as a complete high quality audience recording. Thanks to the evolution of digital recording equipment in recent years, both have excellent sound with a wide range and perfect quality, making it hard to believe that they were recorded in a dome. Since the tour was in conjunction with the release of "This House Is Not For
